I had the pleasure of using the Singh-Ray Filter 830 Infrared Filter during my recent photo tour to Ireland. It was great to get to play with the filter and use it in a variety of settings.
(Please see my previous posts on Singh-Ray Infrared Filters. Canon users need to use the 830. Nikon users can use either but Canon cameras need the 830.)
All the images below are 240 second exposures, ISO 400-800, and f/stop of f/9 to f/22. In my experimentation, I’ve learned that you start with one exposure as above. Take the photo and then check the histogram. More exposure is needed if the histogram doesn’t hit the right side. Less exposure is needed if the histogram spikes up the right side. Be prepared for some trial and error.
Please read my previous posts on using this filter. It is a great tool and could be just what you need to add a bit of creativity to your photography.
I was in Ireland recently leading a photo tour. A favorite location of mine for light painting at night is Burrishoole Abbey in County Mayo.
We set our cameras on tripods, composed the shot, focused, and then set our exposures for 30 seconds. Then I “Painted” the outside of the building with an amber flashlight. In one 30-second exposure I might cover half the building. We reminded the group that they would use layers in Photoshop to get a photo of the entire building illuminated in amber light.
Toward the end of our shoot at Burrishoole, I decided to make a change. I told the group to leave their f/stops at 22, change the ISO to 800, and take a 4-minute exposure using Bulb. We took one photo to check exposure. Personally, I needed to change my f/stop to f/9.
Then we clicked the shutters and left them open for 4-minutes. During that time, I painted the building one more time with the amber flashlight. Notice I had enough time to go inside and paint the window openings.
Each photo is a bit different but the last was much easier to make. Many photographers don’t like Photoshop layers or don’t want to learn layers. Personally, I think layers is a super powerful tool but do understand the learning curve can be steep.
Next time you do light painting, consider using a very long exposure as an alternative to layers.
At sunset in July we were cruising down the Rio Piquiri in the Pantanal of Brazil. Junior, the boat driver, killed the motor and pointed to a pair of jaguars sitting on the riverbank.
There were 10 people in the boat and all were squirming to get their cameras and find the jaguars. The boat was bobbing in the water. There was a lot of movement to try to photograph something after sunset.
I pushed the ISO button on my camera and rolled the dial all the way to 51,200. I could only get a 50th of a second shutter speed. No way the photos were going to work with a shutter speed like that!
Raul, our guide, had been bragging about this high-powered flashlight that he’d received as a gift from a previous guest. His little flashlight was nearly a spotlight.
“Raul, point that flashlight at the jaguars!” I yelled. It was magic! The light was enough light to give us shutter speeds in the 1/160th or 1/200th of a second range.
A modern high-power flashlight and modern cameras with high ISO gave us the ability to photograph a jaguar in the dark. I love it!
I love infrared photos but somehow I never seemed to get around to having an old camera converted to infrared. So earlier this year I got an email ad from Singh-Ray Filters advertising their infrared filter. My hand grabbed my computer mouse without my will and order the filter. Before I knew it, Singh-Ray’s IR 690 filter was heading to my doorstep.
The filter arrived, I read some articles online, and then went out to give it a try. The photos came out RED. Yep, they were red but they were supposed to be red.
The articles I read said that the photos out of the camera would be red. I was then supposed to process with method #1, method #2, or method #3 to get an infrared image.
I tried all the methods and simply had a black-and-white image. No snowy-white grass or grass that look so great in infrared photos. I could never get anything that even remotely looked like infrared.
Out of frustration, I sent an email to the folks at Singh-Ray Filters. I got an immediate response and they put me in touch with one of their experts. That man and I exchanged photos and emails for the next two weeks. I shot photos with the filter, processed them per his instructions, but nothing worked. He paid for me to ship my filter to him so he could use it on his camera.
In the end, we found that my Canon 5D Mark IV and my Canon Rebel need a Singh-Ray 830 Infrared filter. The IR 690 filter only yields a black-and-white image after processing.
Mystery solved. Singh-Ray Filters immediately shipped me an 830 Infrared Filter and issued a credit for my 690 IR filter once they received it.
Thanks to the great customer service at Singh-Ray Filters I’m now shooting infrared photos and loving my 830 Infrared filter.
By the way, the IR 690 filter works fine on Nikon camera. We found this situation only applies to Canon cameras.
Here’s how to take a photo with the 830 Infrared Filter:
Set the camera to the Bulb exposure mode and decide which f/stop you’ll use.
Frame the shot and focus the lens.
Turn off auto-focus on the lens.
Screw the filter on the lens without moving the focus ring.
You can’t see through the IR filters.
With the camera in Bulb
Take the photo with the shutter open for about 4-minute.
Adjust based on the histogram. A bit less time if the photo is too bright or a bit more time if the photo is too dark.
Here’s my method for processing photos taken with the 830 Infrared Filter:
Open in Adobe Camera Raw or Lightroom
Open Hue Saturation Luminance
Move the red Luminance slider all the way to the right
Move the red Saturation slider all the way to the left
This gets rid of the red cast to the photo
Go back to the Basic Tab
Move the Exposure slider so the histogram hits the right corner
Move the Black slider so the histogram hits the left corner
Add some Contrast
Continue processing to taste
I’ve just begun shooting in infrared and processing those photos. Stay tuned. More discoveries in store.
My photo group was on the Serengeti in Tanzania during the last two weeks in May 2018.
One morning while out on a game drive, we got a call over the radio that a baby leopard was in danger on a nearby kopje. My driver, Tompson, picked up speed and told me what to expect. Along the way, I translated all the terms and relayed the situation to the people in my Land Cruiser.
Here’s the situation we were racing toward. A mother leopard left her young baby unattended on a kopje. A kopje is a pile of rocks on the Serengeti plain. The kopje has crevices between all the rocks. Sometimes trees and bushes grow on top of the kopje or around the base of the kopje.
This is traditionally a great place to raise cubs and stash them while out hunting or sleeping. The babies are usually pretty safe with nooks and crannies to sleep, sun, and play.
In this case, though, a group of olive baboons had gathered on the top of the kopje. Baboons hate leopards. That means the baboons will kill the baby leopard if they find it. With no mother leopard on site, the baby leopard was in real danger.
We arrived at the kopje in a few minutes and found a group of twenty baboons on one side of the kopje. After driving around the kopje, we found the baby leopard on the other side. The baby was very young and agitated. It paced, sat down, paced, and then sat again. The baby seemed to know things weren’t right.
We photographed the baby leopard and keep watching for the baboons. There was a good distance between the two so it seemed that the baby leopard was safe.
Then the baby leopard got nervous. It started climbing across the rocks of the kopje and maneuvered under bushes. It came into view then disappeared out of view. But the baboons must have smelled the baby or seen movement. Four large males started slowly moving across the top of the kopje toward the baby leopard.
Baby leopard moves to crevice
Baby leopard hides
The baby moved down the rocks and found a crevice. Maybe it was the crevice where it was born or a roosting place with its mother. The baby walked into the crevice, came back out, looked around, and then went back in the crevice. We all encouraged the baby to get deep into the crevice but, of course, our words meant nothing to the young leopard.
The four male baboons started perching on the rocks outside and above the crevice. The baby moved deeper in the crevice to escape the baboons. The baboons peered into the crevice. They moved closer to the crevice. The baby leopard was surrounded. If the baboons headed into the crevice, the baby was cornered.
Someone in the Land Cruiser next to me said “I don’t want to hear what comes next.” Someone else said, “I don’t want to see what’s coming.” My driver told me the baby was a goner and that there was no way the baby could fight off the baboons.
My driver suggested we pull the Land Cruiser back just in case the mother leopard was trying to get back from her hunt. I asked everyone in the three vehicles if they wanted to stay and watch the kill or move back and let nature happen.
Everyone agreed that the attack was going to be horrible. We had out photos of the baby leopard and everyone wanted to remember him as a cute, little kitten.
All three of our Land Cruisers pulled away from the kopje and we turned our backs on nature. During lunch we talked but the baby leopard and everyone wondered what happened. Our thoughts were really with the little guy.
When we left camp later in the day, my driver Tompson asked if I’d like to take the group back to the kopje to see what happened. Tompson assured me the baby was dead but I decided we needed to go back.
A half-hour later we were nearing the kopje. I started scanning the rocks for anything that looked like a leopard. There were no baboons in sight. Not one.
I stood up on my seat with my body out of the top of the Land Cruiser and started scanning the rocks. High up on one of the rocks I spotted the profile of a feline. “There she is,” I yelled. Tompson spotted the mother leopard immediately and drove the Land Cruiser in photography distance. The other two Land Cruisers in our group fell into position next to us.
Mother leopard was laid out on the top of the kopje all pretty and content. She had a fresh, deep gash from her nostril straight up her nose. She’d been in a fight and she was the winner.
Tompson popped up on his seat and poked out of the top of the Land Cruiser. He raised his arms high in the sky and yelled “You are a good mother leopard!!” The mother leopard beat off the baboons and she took a beating while doing it. Yet, was the baby alive?
My vehicle drove slowly to the other side of the kopje. There was the baby leopard! It was out in the open and resting on a nice warm rock. Baby was safe and Tompson gave the mother another “Your a good mother leopard!!” salute.
Mother leopard didn’t take to our noisy group of photographers. We were a good distance from her but were pretty excited that mother and baby were safe. I suspect we were a bit noisy.
The female moved deep into a crevice protected by a small bush. She bathed her injured nose one more time and then fell asleep. (People in my group would have given her all the Neosporin in their packs if she would have allowed us near her.) .
Baby leopard gave us a few more stunning photos and then fell asleep. It lived for another day in the Serengeti.